Telling Black Stories Through Poetry
As a child, in between born into an interracial family, Poet Michele Reese knew she wanted to write about the Black experience with works that delved into African American history, from very early on.
She bared the words from her soul in front of a room full of young writers with her son sitting in the front row as she read from her first published book of poems, Following Phia, which indirectly focuses on her journey through life, sexuality, race, motherhood, and other topics.
“My home sits in sandy soil, where once indigo was caked in lye, I’ve painted my children’s walls haint blue to keep them safe from mosquitoes and restless spirits,” she said. “They have been fed from my breasts, bathed in tepid water to bring down fevers, inoculated, taught to swim… I have done all the things that mothers do to tether their children,” Reese read at Xavier University’s Fall Literary Reading series on Oct. 4th.
Reese started her writing journey very similarly to
other writers. It was one of her own teachers in middle school that inspired her to pick up the pen and write what she was feeling, whether it was about what she ate that morning, or how she was feeling about rainy mornings in West Virginia. All she knew was that she had to write.
“It was my own English teacher in seventh grade that made me write a poem,” she said, “I’m pretty sure it was for an assignment, but I haven’t stopped writing ever since. I had no clue it would be paying my bills today,” Reese said.
As the daughter of a Jamaican Immigrant, Reese began to tell stories through her poetry that dealt with race, intersection, gender, sexuality, slavery, and much more. These very stories were things not just about slaves and their struggles, but also about her own Jamaican family heritage.
Although she grew up in West Virginia, a mostly White-populated state, Reese never lost sight of her Jamaican roots. She was determined to begin writing poetry that dealt with African-American history, symbolism, and culture. It helped her to connect with the Black experience.
“I am tired of being beneath him. I cannot wait to escape,” Reese read from one of her poems, discussing the rapes of African-American enslaved women.
Although these topics were not always so easy to discuss, read, or write about, that did not stop her from writing about them. These were messages she believed needed to be talked about, especially ones about race and gender. She felt drawn to these topics because of the Jamaican blood running through her veins.
As a way to branch out and get away from West Virginia, the poet went to the University of Southern California where she earned a bachelor’s degree in creative writing/poetry and print journalism in 1994. She then went on to graduate school and then earned her doctorate in 2000. The poet’s latest work, Following Phia, was published earlier this year and focuses on the journey of her life, both spiritually and intellectually. Reese discusses her travels, her love of being a mother, her heritage, and much more throughout the book.
“As the child of an immigrant, a Jamaican Immigrant at that, race was something I really wanted to tackle in my writing,” Reese said. She often wished she had poems that were light-hearted, and a little less serious, but she never stopped writing them because she knew the Black experience is never an easy subject. She wanted her readers to really connect with the struggles and the joys of being Black.
“I wish I had some more funny poems,” Reese said. “But a poet named Pat Parker wrote a powerful piece titled, “Where Would I Be,” and that kind of made me realize we have to have the courage to stand up for what we believe in and as a writer I think that’s very important,” she said.
Some of Reese’s poems have been published in several journals like The Oklahoma Review, Poetry Midwest, The Tulane Review, and Hand in Hand: Poets among others. She also is a former writer for The Watering Hole. The organization, founded by Candace G. Wiley, a Clemson University Professor in 2009, first started off as a small Facebook group. Since then, it has attracted dozens of members and their writers have earned numerous awards.
As a writer, there is a very slim chance your work will get published, Reese said, because someone must find it and fall in love with it. “If you are a writer, even if you just started, do not give up. Believe in yourself and in your writing, even if no one else does,” Reese said. “Continue telling those stories that people are afraid to tell because they deserve to be heard. Just like news reporters, poets tell stories,” she added.
Young writers like David Evans, a Xavier student, said that as a frequent writer himself, he couldn’t help but feel touched not only by Reese’s work, but by her sincerity as a writer.
“You can tell her writing comes from a place of realness,” Evans said. “As a writer, I felt the urge to pick my pencil up and start writing those things I’m so scared to write about because we all have a voice, even through ink and paper.”
He said he is grateful that Reese took the time to inspire another generation of writers with her story. “Writing has no limits. It is all about what you feel and sometimes even about what you have been through,” he said. Young Black writers don’t always get to see themselves in poetry, according to Biljana Obradovic, the English Department Head at Xavier. She wanted her students to have more knowledge on how to publish their work and to be exposed to different types of work. Not only did Reese come and just share her work, she gave aspiring writers an even greater message to leave with: To believe in themselves, their voice, and in their writing, “She is an amazing writer because her writing is sincere,” said Obramovic who met Reese six years ago during a teaching trip to Italy.
“Her writing speaks to the soul, and her writing speaks for a lot of minorities with similar views, similar heritage and those who have faced similar adversities. I am able to teach students that come from all over the world, and at an HBCU, I think it is so important for students in general to use their voice,” Obradovic said.
This article originally appeared in LA Data News.